Auditions can be the most important event in a dancer’s career: the doorway to a new job, a new country, a new life...

The inaugural Keir Choreographic Award has singled out some exceptional contemporary dance artists. Karen van Ulzen speaks to one of the shortlisted contestants.

When the Royal New Zealand Ballet toured North America earlier this year, Lauren Saxon Jones realised two incredible dance experiences...

Australian dancer Samantha Lynch is being noticed.

Auditions can be the most important event in a dancer’s career: the doorway to a new job, a new country, a new life...

This Adelaide-born dancer has been leaving critics swooning.

When the Australian Ballet School changes leaders this year, it looks certain to be a dignified and smooth transition, writes Karen van Ulzen.

'The King and I' has a loyal servant, writes Denise Richardson.

Aaron who? When he appeared as a judge on ‘So You Think You Can Dance’, many were introduced to this talented Australian for the first time. Yet the talented Cash has paved the way for many Australians overseas, writes Sally Clark.

Timothy Coleman is a senior artist with Singapore Dance Theatre. In July he will perform a new pas de deux commissioned from Natalie Weir.

Ballet Revolucion toured Australia throughout June and July last year. We spoke with Barbara Patterson Sanchez.

Ivan Semirechenskiy is a corps de ballet member of the Bolshoi Ballet. He is also the founder and producer of Balletbase, a structured on-line ballet database of artists, companies and performances.

The WA Ballet’s new artistic director is excited by the possibilities that lie ahead, writes Margaret Mercer.

Luke Ingham is happy with his recent move to the San Francisco Ballet, writes Michelle Potter.

Karen van Ulzen spoke to Ty King-Wall when he was promoted to principal dancer of the Australian Ballet.

Having survived the threat of brutal funding cuts, Netherlands Dance Theatre has a new director. Michael Rock meets him at company HQ in Holland.