The West Australian Ballet's staging of the 19th century classic is countering the critics, writes Karen van Ulzen. Read more
"An extraordinary tour de force". Queensland critic Denise Richardson nominates her dance highlights for 2023.
DirtyFeet, the Sydney-based organisation for contemporary dance artists with and without a disability, is seeking Expressions of Interest for its new secondment program. Two places are on offer to emerging artists.
The 2024 program for Melbourne's Rising festival has been announced, with a vast array of new music, art and performance.
Maggie Tonkin reviews two very different Adelaide Festival works.
These two performances in the last week of “Mad March” are linked by consideration for tradition, ritual, connection and human potential, writes Lisa Lanzi.
Lisa Lanzi reviews some fascinating works from the Adelaide Fringe.
Liesel Zink is an award-winning choreographer, producer, dramaturge, facilitator and Associate Artist for Force Majeure in Sydney. She also loves crafting!
The new boss of the Queensland Ballet talks to DENISE RICHARDSON about her new role.
Self-effacing, straight-forward and statuesque: these are just some words to describe this dazzling dancer. A profile by Susan Bendall.
What do we mean by artistry? Matthew Lawrence explores this most elusive of subjects.
Fouettes are a moment when the human body gambles with the forces of nature – gravity, torsion and speed, writes Karen van Ulzen.
Everybody's doing adult ballet! Michelle Dursun finds out why.