Artistic Director Li Cunxin proved the nay-sayers wrong when he instigated this annual event, writes Denise Richardson. Read more
New Zealand School of Dance end-of-year performance seasons are therefore always keenly awaited, writes Denise Richardson.
This double bill of Frederick Ashton's works makes for a satisfying night of ballet, filled with lush costumes, scintillating music and a range of vividly drawn roles for the dancers, writes Geraldine Higginson.
Australasian Dance Collective (ADC) has again pushed the envelope with its latest work, writes Denise Richardson
Last week AUSTI. Dance and Physical Theatre took to the stage of the Bruce Gordon Theatre at Wollongong’s IPAC (Illawarra Performing Arts Centre) with three short new works by emerging Australian choreographers.
This year’s Melbourne Fringe Festival promised to be bigger and better than ever, with 500 shows and experiences on offer; choosing what to see over the 19 days of the festival is a bewildering experience.
Architect of the Invisible is a wonderfully complex choric work from dance-maker Raewyn Hill featuring twenty-three dancers weaving, pulsing, shaking and rising together, before scattering in coils and lines to come together again.
A return season by Queensland Ballet of the smash-hit Strictly Gershwin has been on the wish list for many, ever since its sell-out season in 2016.
For this new production of 'Swan Lake', David Hallberg has returned to Ann Woolliams's production, created in 1977 when she was artistic director of the company, writes Karen van Ulzen.
'Jurrungu Ngan-ga' offers a critique of what dramaturgs Behrouz Boochani, Omid Tofighian and Patrick Dodson have designated the Australian “kyriarchal system” of our carceral “nation of jailers”, writes Jonathan W Marshall.
This not-to-be-missed premiere brings to life an incredible artist’s most iconic paintings through a fluently arranged symbiosis of movement, visual art, music and design, writes Isabelle Leclezio.
A promenade dance-theatre work of quite epic proportions, 'Salamander' has been promoted as the centrepiece of this year’s Brisbane Festival – and its promotion is well-deserved.
Stephanie Lake Company and Abbotsford Convent joined together to auspice this exciting and challenging short season of independent emerging choreographic talent.
Antony Hamilton returns to his concerns with mathematical precision and physical endurance in his latest work, writes Rhys Ryan.
The company is continuing to thrive under the directorship of Frances Rings, writes Geraldine Higginson.