Grayson Millwood and Gavin Webber display their customary finely-pitched humour in 'Franken Stein', writes Denise Richardson.
Susan Bendall reviews Mariaa Randall's Divercity and the Farm's Cockfight.
Neil Armfield and Rachel Healey’s first Adelaide Festival of Arts has been a triumph, writes Maggie Tonkin.
"Very athletic animals": Irina Kuzminsky reviews the Australian Ballet's 'Faster'.
Susan Bendall reviews Lucy Guerin's 'Split' and Chunky Move's 'Anti-Gravity'.
Geraldine Higginson reviews Melbourne Ballet Company's "Being and Time".
. . . a very satisfying evening of contemporary dance, writes Denise Richardson.
'Michelle Ryan’s artistic vision for the company to become a force in mainstream theatre.'
'Betroffenheit' is a meticulously crafted and staged, intensely honest, penetrating exposition of the state of Young’s fragile mind as he faced horror, despair and a haunting sense of guilt.