Too much of a visual riot? Susan Bendall reviews The Australian Ballet's 'Alice's Adventures in Wonderland'.
'Deeply expressive of the human spirit.' - Denise Richardson reviews Queensland Ballet's 'The Masters Series'.
'Fifty taut, tense, tightly-packed minutes of dance' – Margaret Mercer reviews Co3 Australia's 'The Line'.
'Sparkling with energy' – Denise Richardson reviews Expressions Dance Company's production of Natalie Weir's 'The Dinner Party'.
'An artistic triumph' – Margaret Mercer reviews West Australian Ballet's production of Greg Horsman's 'La Bayadère'.
'An opportunity for emerging dancers to exercise their interpretive, artistic, technical and imaginative skills.' Susan Bendall reviews the YAGP International Dance School Festival in New York.
'Sensational!' Susan Bendall reviews the YAGP 20th Anniversary Gala in New York.
Wonderful variety: Denise Richardson reviews a selection of works from Brisbane's Supercell Festival.
A celebration of community, Country and culture: Lesley Graham reviews dance works and performances at Ten Days on the Island.
Triple bill showcases dancers' talents: Geraldine Higginson reviews Sydney Dance Company's "Season 1: 'Bonachela, Nankivell, Lane'.
An extraordinary work: Denise Richardson reviews Queensland Ballet's 'Dangerous Liaisons'.
No sugary affair: Susan Bendall reviews The Australian Ballet's production of Ratmansky's 'Cinderella'.
Highlights from Dance Massive: Susan Bendall reviews Stephanie Lake's 'Skeleton Tree' and Melanie Lane's 'Nightdance'.
Alan Brissenden reviews Meryl Tankard's 'Two Feet' and 'Zizanie' at Adelaide Festival.