"Consummate contemporary ballet." Susan Bendall reviews The Australian Ballet's 'Volt'.

Most of the works in year's Keir Choreographic Award final didn't win over Geraldine Higginson.

Geraldine Higginson found Victorian State Ballet's production of 'Beauty and the Beast' fresh and engaging.

A rich overview of the sheer variety of contemporary dance: Maggie Tonkin reviews three works from this year's Adelaide Festival.

Featuring a range of free performances, Supercell's 2020 program was characterised by diversity, says Denise Richardson.

Denise Richardson reviews the Brisbane premiere of this long-awaited ballet by Graeme Murphy.

Geraldine Higginson reviews the company's Sydney season.

Margaret Mercer enjoys two outstanding performances.

West Australian Ballet's 2020 'Ballet at the Quarry' program offers superb neoclassical dancing and choreography, says Margaret Mercer.

Lesley Graham reviews the dance at MONA FOMA.

In 2020 Sydney Festival offers a broad program, packed with a wide range of diverse productions, writes Geraldine Higginson.

"Billy Elliot the Musical is a triumph": Maggie Tonkin reviews opening night.

Queensland Ballet's 'Nutcracker' is a wonderful start to the festive season, writes Denise Richardson.

Plenty of heart, polish, sass and style: Geraldine Higginson reviews NAISDA Dance College's 'Ngoenakap'.

High expectations met in West Australian Ballet's 'Alice (in wonderland)', reports Margaret Mercer.

Susan Bendall was impressed by the New Zealand School of Dance's 2019 graduation season.