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From backstage ballet banter to studio business, creative careers and deeper conversations about dance culture, these Australian-connected podcasts are worth adding to your listening queue. Read more
The live-to-film concert experience will bring the digitally remastered Dirty Dancing to Sydney, with a live band, vocalists and a post-screening after-party.
Queensland dancer Sienna Westcott has been named the recipient of the 2026 RAD Australian Advanced 1 Bursary.
The Sydney Opera House will present homecoming seasons for two acclaimed First Nations choreographers, with Amrita Hepi’s Rinse and Lewis Major’s Triptych arriving in September.
Young Dance Scholar Ella White reviews Solstice Dance Collective’s Electric Universe and Exocytosis, two contemporary works that transform birdsong, biology and sensation into bold physical worlds.
The ABS Winter Season offered a poised and well-balanced glimpse of young dancers nearing the edge of professional life, classical and contemporary demands with discipline, care and emerging authority.
Sydney Dance Company’s double bill at the Australian Dance Biennale placed two dystopian worlds side by side, with Antony Hamilton’s absurd, enigmatic Forever and Ever proving the more compelling of the two.
West Australian choreographer Scott Elstermann will take part in the prestigious ATLAS program at ImPulsTanz in Vienna, following recent success at home and abroad.
Meet the Australian dancers taking the reins at Crazy Horse Paris.
Anna Pavlova’s 1926 tour was not the beginning of ballet in Australia, but it changed how the country imagined the art form, and who might belong to it, writes Emma Sandall
Athletistry founder Shane Wuerthner on navigating auditions
A practical, clear-eyed guide to building a dance career after full-time training, from redefining success to staying connected, creative and employable.
Recent comments by Timothée Chalamet about opera and ballet sparked debate across the arts. Dance leaders reflect on the endurance, relevance and shared humanity that continue to sustain these artforms.
