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After 12 years at the helm, Raewyn Hill will step down as Co3’s inaugural Artistic Director in 2026, closing a formative chapter for the company she has shaped from its inception Read more
A new cohort of standout young dancers is recognised in Sydney, with top honours awarded across Grades 3 to Advanced 1 at this year’s RAD Awards.
More than 200 young dancers take the stage in a standout showcase of Queensland’s next generation.
A landmark anniversary, a bold harbour staging and a standout young lead combine in Opera Australia’s biggest outdoor season yet.
Denise Richardson reviews a large-scale collaboration where Verdi’s score meets Spuck’s choreography in a striking opening to Queensland Ballet’s 2026 season.
A bold new era for Brisbane Ballet, with Emery Goldsworthy’s first full-length Giselle placing storytelling and emerging talent front and centre. Daniel Gaudiello reviews.
A landmark collaboration between The Australian Ballet and Bangarra, Flora fuses movement, music and story into a visually striking and deeply felt meditation on land, history and renewal, writes Anne Runhardt.
RAD’s CEO reflects on her Australasian tour, global strategy, and why excellence and inclusion must go hand in hand.
Alice Topp on Creating Macbeth for the Royal New Zealand Ballet.
Australian Ballet School student Scarlett Weaver on boarding life, growth and finding balance at Marilyn Rowe House in Melbourne and beyond the studio.
Recent comments by Timothée Chalamet about opera and ballet sparked debate across the arts. Dance leaders reflect on the endurance, relevance and shared humanity that continue to sustain these artforms.
As Rambert marks its centenary, Maggie Lorraine revisits the company’s 1947–49 tour of Australia and asks whether Marie Rambert’s influence on our national ballet identity has been fully recognised.
Josef Brown on discovering dance through film and television
