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An industry briefing will unpack the Dance Industry Code of Practice, as a wider review examines how it responds to the working lives of dancers, teachers and choreographers. Read more
Queensland Ballet has announced a leadership transition as it reviews the structure needed for its next phase.
The Fonteyn 2026 has concluded in London, with seven Australians among the international field. Alongside this year’s results, the RAD has announced a return to Singapore in 2027.
Alida Segal travels to Thailand for the Moiseyev Ballet’s first visit, finding the technical brilliance, theatrical flair and boundless energy that first captivated her almost six decades ago.
Lucy Guerin reflects on a life in dance in *Place Dances*, marking her farewell as artistic director of Lucy Guerin Inc. Belle Beasley reviews this intimate performance at Buxton Contemporary.
Six queens, powerhouse vocals and infectious pop anthems: Six returns to Sydney with a stellar cast and plenty of reasons for a repeat visit.
English National Ballet School’s Australian cohort.
Now a corps de ballet dancer with the National Ballet of Canada, Aidan Tully reflects on personal growth and the demands of performance during his training at the New Zealand School of Dance.
Hugo Poulet reflects on developing a personal relationship with dance at Sydney Dance Company’s Pre-Professional Year, and how seeing his peers find their artistic identities expanded his understanding of the art form.
Josef Brown considers what human artists give of themselves to make their work, and why AI can reproduce its appearance without bearing its cost.
Athletistry founder Shane Wuerthner on navigating auditions
A practical, clear-eyed guide to building a dance career after full-time training, from redefining success to staying connected, creative and employable.
