Dance Reflections Brings 13 Works To Sydney Festival

Adam Elmes has been promoted to Soloist following The Australian Ballet’s New York season, with David Hallberg praising *“a sensitive artist of exceptional dedication”*.

More than 700 students will bring original choreography to Ausdance ACT’s Youth Dance Festival, exploring digital life and human connection through this year’s theme, The Metaverse.

The Australian Ballet was “welcomed rapturously, even wildly” on its New York return. Mark Kappel reports on Oscar, Seven Days and Pony Cam’s festival premiere.

Stuttgart Ballet returns to Australia with Marcia Haydée’s The Sleeping Beauty. Belle Beasley finds lavish design and technical precision that “converge to sublime effect”.

LINK Dance Company’s EPIC brings surreal encounters and psychedelic landscapes to WAAPA’s new Dance Theatre. Nina Levy reviews the company’s first season in its new home.

The Farm confronts grief and mortality in No One Gets Out of Here Alive, a “visceral, virtuosic dance theatre work”, writes Caitlin Halmarick.

National College of Dance graduate Caleb Durbin, now a Soloist at Alberta Ballet, reflects on caring for his body and developing the determination to keep improving.

Full-time training: The McDonald College and The Royal Ballet School. Currently dancing with: English National Ballet

“I love my job and I love my life!” Davi Ramos speaks to Daniel Gaudiello about his journey from Brazil to principal artist with The Australian Ballet, and finding his feet in Australia.

Josef Brown considers what human artists give of themselves to make their work, and why AI can reproduce its appearance without bearing its cost.

Athletistry founder Shane Wuerthner on navigating auditions

A practical, clear-eyed guide to building a dance career after full-time training, from redefining success to staying connected, creative and employable.