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Sydney Dance Company will give Central Coast audiences the first look at Engine, its new triple bill, before the production moves to the Sydney Opera House. Read more
Dancenorth will bring RED back to Melbourne this June, with five performances of the acclaimed duet presented as part of the inaugural Australian Dance Biennale.
The Royal Academy of Dance has announced the international judging panel and faculty for The Fonteyn 2026, with the final to be held at London’s Coliseum.
Bangarra Dance Theatre will tour Sheltering nationally in 2026, bringing together three works by Glory Tuohy-Daniell, Daniel Mateo, Cass Mortimer Eipper and Frances Rings.
West Australian Ballet’s Dracula returns to His Majesty’s Theatre with gothic grandeur, cinematic force and a cast that finds real electricity inside the shadows.
Rebecca Jensen and Aviva Endean’s Slop revels in mess, artifice and sonic excess, testing how movement and sound can distort what we think of as real.
Young Dance Scholar Claudia Valenzuela reviews The Australian Ballet’s Romeo and Juliet, bringing a young dancer’s perspective to John Cranko’s enduring classic.
Meet the Australian dancers taking the reins at Crazy Horse Paris.
Anna Pavlova’s 1926 tour was not the beginning of ballet in Australia, but it changed how the country imagined the art form, and who might belong to it, writes Emma Sandall
Australian and New Zealand dancers reflect on their time at the Prix de Lausanne, in their own words.
Athletistry founder Shane Wuerthner on navigating auditions
A practical, clear-eyed guide to building a dance career after full-time training, from redefining success to staying connected, creative and employable.
Recent comments by Timothée Chalamet about opera and ballet sparked debate across the arts. Dance leaders reflect on the endurance, relevance and shared humanity that continue to sustain these artforms.
