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Dance Australia introduces Young Dance Scholars for 2026, a new paid initiative supporting emerging critical voices in partnership with Elevé Stage Events. Read more
Chris Dyke’s Lighting the Dark tours nationally, marking an Australian first in inclusive mainstage dance.
Returning to Lausanne as a 2026 jury member, 2003 winner Steven McRae reflects on how the Prix has evolved and why artistry begins long before perfection.
Christian Tàtchev reflects on judging the 2026 Prix de Lausanne, male training trends, and why foundation, patience and culture matter more than a single variation.
Belle Beasley reviews The Australian Ballet’s Signature Works at Melbourne’s Regent Theatre, where classical showpieces and contemporary excerpts reveal the company’s technical breadth and stylistic range.
At Adelaide Festival, GuoGuoHuiHui unravel the myth of a singular Chinese identity through five personal histories shaped by folk dance and memory. Review by Maggie Tonkin.
2026 marks the fourth iteration of STRUT Dance’s Perth Moves program, and what a gift it is, with three free public performances in the city’s heart during Perth Festival.
RAD’s CEO reflects on her Australasian tour, global strategy, and why excellence and inclusion must go hand in hand.
Alice Topp on Creating Macbeth for the Royal New Zealand Ballet.
Australian Ballet School student Scarlett Weaver on boarding life, growth and finding balance at Marilyn Rowe House in Melbourne and beyond the studio.
As Rambert marks its centenary, Maggie Lorraine revisits the company’s 1947–49 tour of Australia and asks whether Marie Rambert’s influence on our national ballet identity has been fully recognised.
Josef Brown on discovering dance through film and television
Emma Sandall reflects on the evolving Prix de Lausanne, and how its core values continue to shape generations of young dancers worldwide.
