Australia feels like two nations at the moment. Most parts are emerging from lockdown, with dance schools and companies returning to the studio and the stage. And then there’s Victoria, in a second lockdown for the year. Read more
Locreado Dance Company has emerged from Covid with 'Pause', a fearlessly relevant contemporary piece choreographed and directed by Loredo Malcolm.
The Seymour Centre’s first performance back, Shaun Parker & Company's 'In the Zone', is an inventive and engaging fusion of technology and dance.
Created especially for the Brisbane Festival by Australasian Dance Collective artistic director, Amy Hollingsworth, 'Arc' reflects on our recent collective journey from isolation to reconnection.
The Australian Tap Dance Festival (ATDF) has found a way to continue its annual Tap Dance Festival this year.
Diversity in musical theatre has been given a boost, led by the Rob Guest Endowment's response to a barrage of criticism of its competition this year.
After this draining year, who knew a tale of horror and heartbreak could be so uplifting.
This work, about the silence that surrounds the issue of a treaty for the First Peoples of Australia, delivers a powerful message with dignity and an often, biting wit.
It with much sadness that I write of the death of Dr Alan Brissenden AM, much loved colleague and friend of Dance Australia, on September 9, 2020.
'Seeing through Darkness' is a moving response to Rouault’s somewhat despairing vision.
Paul Lightfoot's tribute to his late father is also an example of creative possibility defying extraordinary obstacles.
Even if your head has been full of worries and your spirit hitting lows, nothing beats the feeling of an industry's members getting together to help each other.
"I believe we’ve done the right thing as a nation and as a state in Victoria," says Jason Coleman, CEO of Melbourne's Ministry of Dance. "It’s not about what we can’t do, it’s about what we can do."
Emma Watkins and The Royal Academy of Dance have collaborated on a short film to reassure young children that dance class is still a safe and fun place, despite Covid-19 safety measures.
DirtyFeet is supporting emerging Sydney choreographers, Eliza Cooper and Emily Flannery, to develop their creative works.
Hindus are urging Houston Ballet to withdraw 'La Bayadère' from its 2020-2021 season because it trivialises Eastern religious and other traditions.
There are always silver linings in a challenge even if they are not immediately apparent. Damian Smith, artistic director of The National Theatre Ballet School, found several this year.