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Ivan Gil-Ortega reflects on his first Queensland Ballet season, revealing how risk, collaboration and curiosity are shaping the company’s next chapter. Read more
The Royal Ballet leads this year’s World Ballet Day announcements, unveiling a program that reimagines access as art.
Applications are now open for ADT’s 2026 EXPOUND Residency, offering $30,000 and six weeks of studio time for mid-career choreographers to develop bold new work in Adelaide’s LOFT studio.
Some of the world’s brightest young dancers took the stage in São Paulo on the weekend.
An inspired survey of contemporary movement and style, DanceX delivered a thrilling mix of Australasian voices — from Balanchine to Dancenorth — in a dynamic festival of rhythm and imagination, writes Belle Beasley
Daniel Gaudiello reviews The Australian Ballet School’s NOW, a bold showcase bridging classical purity and contemporary innovation.
Bangarra’s enchanting new work for young audiences that blends dance, puppetry and story to celebrate connection, Country and imagination.
Classical Teacher at The Australian Ballet School
Floods, fires, or pandemics — Andrea Rowsell Academy of Dance keeps dancing, writes Michelle Dursun
Graduate of ED5 International
Following Queensland Ballet’s recent premiere of Dangerous Liaisons, Professor Julie Robert explores how Laclos’ tale of seduction and scandal still offers sharp insights into performance and digital life today.
David McAllister’s opulent fairytale returns in a dazzling 10th anniversary revival, writes Susan Bendell
Josef Brown reflects on why dance is not a sport, but a unique form of creative and conscious self-expression.
