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A year ahead in dance: key works, new commissions and returning favourites from companies across the country. Read more
Former Queensland Ballet Principal to take up top rank at Covent Garden from the 2026/27 season
Matthew Lawrence traces its remarkable journey from modest beginnings to a thriving national presence, highlighting the people, programs and passions that have shaped its legacy.
RISING unveils its first 2026 program announcement: The Royal Family Dance Crew will bring their high voltage showcase Defend the Throne to Hamer Hall on 7 June.
Glittering, subversive and extravagant, Eun-Me Ahn’s Post Orientalist Express flips stereotypes into spectacle.
Queensland Ballet’s Nutcracker enchants Brisbane with whimsy, polish and standout performances, even amid funding concerns. A luminous seasonal tradition captured by reviewer Denise Richardson.
Dawn Jackson’s Pointe: Dancing On a Knife’s Edge traces Floeur Alder’s remarkable journey from violence to artistic rebirth with empathy, precision, and striking visual beauty.
Alice Topp on Creating Macbeth for the Royal New Zealand Ballet.
Australian Ballet School student Scarlett Weaver on boarding life, growth and finding balance at Marilyn Rowe House in Melbourne and beyond the studio.
A portrait of resilience, elegance and legacy.
Critical perspectives on the performances, artists and ideas that shaped the year in dance
Providing dancers, families and the community a sense of belonging and a shared purpose, Generate Dance works with students to build skills, confidence and creativity, writes Michelle Dursun
For Amy Tinning, distance is no barrier to dance, writes Michelle Dursun
