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NT Dance Company is about to tour a new work that "navigates the limits of physical expression".

The first issue of Dance Australia for 2024 is OUT and bursting with news, reviews and features. Grab it before it goes.

"An extraordinary tour de force". Queensland critic Denise Richardson nominates her dance highlights for 2023.

ReviewsRead all

This program of “Three” again promised works of creative risk-taking that would both push boundaries and challenge dancers and audiences alike, writes Denise Richardson.

Maggie Tonkin reviews two very different Adelaide Festival works.

These two performances in the last week of “Mad March” are linked by consideration for tradition, ritual, connection and human potential, writes Lisa Lanzi.

ArtistsRead all

Liesel Zink is currently working on two projects – one for Mature Artists Dance Experience (MADE), and the other for Stompin youth dance, both in Lutruwita/Tasmania.

The new boss of the Queensland Ballet talks to DENISE RICHARDSON about her new role.

Self-effacing, straight-forward and statuesque: these are just some words to describe this dazzling dancer. A profile by Susan Bendall.

ExpertiseRead all

Phil Chan is a choreographer as well as the co-founder of an organisation called Final Bow for Yellowface, which argues against using racial stereotypes on stage. Here he responds to our recent debate on 'cancelling' ballets like 'La Bayadere'.

What do we mean by artistry? Matthew Lawrence explores this most elusive of subjects.

The West Australian Ballet's staging of the 19th century classic is countering the critics, writes Karen van Ulzen.