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A luminous triple bill from Sydney Dance Company unites Bonachela, Dinh and Page in a powerful reflection on connection, creativity and the shared continuum of Australian contemporary dance, writes Emma Sandall Read more
Celebrating commitment and talent: Denise Richardson reviews QUT's graduation season.
Charming: Denise Richardson reviews the Queensland Ballet's 'Peter Pan'.
Susan Bendall reviews Michelle Heaven's 'In Plan', Mette Ingvartsen's '7 Pleasures' and Philip Adams BalletLab's 'Ever'.
Susan Bendall reviews Wayne McGregor's 'Tree of Codes'.
'2 One Another' still has much to offer audiences of contemporary dance, writes Geraldine Higginson.
Another impressive program from the OzAsia Festival, reports Maggie Tonkin.
Denise Richardson reviews 'Under Siege' at the Brisbane Festival.
'The Zone' is the strongest work Co3 has produced to date, writes Margaret Mercer.
There is always a sense of enormous excitement around the Australian Ballet School’s annual showcase, writes Susan Bendall.
Irina Kuzminsky reviews The Australian Ballet's 'Alice's Adventures in Wonderland.
Margaret Mercer reviews West Australian Ballet's 'The Great Gatsby'.
In the field of dance theatre, Teac Damsa’s production of Swan Lake/Loch na hEala is up there with the best, writes Geraldine Higginson.
Plenty to enjoy: Irina Kuzminsky reviews the Australian Ballet's 'Symphony in C'.
'A witty and exploratory composition.' Susan Bendall reviews Stephanie Lake's 'Pile of Bones.'
Susan Bendall reviews Dancebourne's 'Godai'.