An excellent opening night performance: Margaret Mercer reviews West Australian Ballet's 'La Sylphide'.

Denise Richardson reviews the Cuban ballet extravaganza.

'As light and sparkling as a bottle of Dom Perignon,' writes Geraldine Higginson.

Stripping away artifice: Susan Bendall reviews Chunky Move's 'Common Ground'.

'An amalgam of whimsy, beauty and profundity.' Olivia Stewart reviews Force Majeure's 'Flock'.

'Mountain' is the second instalment in a trilogy of works that deals broadly with climate change, writes Geraldine Higginson.

Margaret Mercer reviews The Farm and Co3's 'Frank Enstein'.

Denise Richardson reviews two of the works from the Commonwealth Games arts festival.

Denise Richardson reviews Queensland Ballet's 'La Bayadere'.

Maggie Tonkin reviews Israel Galvan's 'Fla.Co.Men', Bangarra's 'Bennelong' and Akram Khan's 'Xenos' at Adelaide Festival.

Geraldine Higginson reviews the 2018 Keir Choreographic Award.

Susan Bendall reviews The Australian Ballet's "Murphy".

Expressions Dance Company’s 'Converge' produces a deeply satisfying nexus between artistic achievement and showcasing alternative choreographic voices, writes Olivia Stewart.

Riveting from beginning to end: Maggie Tonkin review's 'Split' by Lucy Guerin Inc.

Compelling collaborations: Margaret Mercer reviews the final two dance works of this year's Perth Festival.