An inspired survey of contemporary movement and style, DanceX delivered a thrilling mix of Australasian voices — from Balanchine to Dancenorth — in a dynamic festival of rhythm and imagination, writes Belle Beasley Read more
Daniel Gaudiello reviews The Australian Ballet School’s NOW, a bold showcase bridging classical purity and contemporary innovation.
Bangarra’s enchanting new work for young audiences that blends dance, puppetry and story to celebrate connection, Country and imagination.
Belle Beasley reviews Prism, where The Australian Ballet shines in Robbins’ Glass Pieces, Lake’s Seven Days and Forsythe’s Blake Works V at Melbourne’s Regent Theatre.
Caitlin Halmarick reflects on the world premiere of LA Dance Project’s Gems at Brisbane Festival, a bold reimagining of Balanchine’s Jewels.
Belle Beasley reviews Melanie Lane’s Phantasm, a surreal multi-sensory journey where scent, sound, and movement blur reality.
Reviewer Susan Bendall explores the daring ideas and diverse perspectives from five emerging choreographers in Stephanie Lake Company’s ESCALATOR 2025.
Three world premieres, a rich First Nations work, and bold collaborations — Bespoke 2024 thrills with innovation, writes Denise Richardson.
Gabriel Rogers reviews Ballet Theatre Queensland’s Cinderella, a polished, joy-filled production bursting with charm and stagecraft.
Denise Richardson reviews Queensland Ballet’s ambitious triple bill, set against a backdrop of change and challenge for the company.
Nina Levy reviews STRUT Dance and PICA’s Restore, a double bill that spans fierce physicality and meditative stillness.
Nina Levy reviews Co3’s “GATHERING.1” — a high-energy 10th anniversary event where performance meets party.
Australian Youth Ballet's Triple Bill: La Bayadère, Chaplin, & Viaje de Sueños impressed reviewer Geraldine Higginson. A youthful, polished performance.
Denise Richardson reviews Ballet Preljocaj's dystopian 'Swan Lake': a visually stunning reinterpretation exploring corporate greed and ecological decline.
Denise Richardson reviews ADC's well-curated 40th anniversary 'Blue' program, celebrating past, present & future with old, new, borrowed works.
Nina Levy reviews WAB's vibrant Don Quixote. Lucette Aldous's humorous, spirited take on the classic ballet endures through a dynamic performance.
Les Misérables hits the arena! Dive into our review for Dance Australia on this spectacular production: clever staging, on-stage orchestra, and a cast delivering powerful presence over traditional dance.