Sydney’s Carriageworks is presenting Liveworks: Festival of Experimental Art from 22 October until 7 November.

Matthew Lawrence reflects on the diplomatic balance required of dance partnerships.

A couple of months ago Dance Australia shared information about The Right Foot, a series of workshops run by DirtyFeet (Sydney) for dancers with and without disability. Now the DirtyFeet is presenting “The Right Foot 2015”, the culmination of those four creative contemporary dance workshops led by Brianna Kell and Sarah-Vyne Vassallo.

Tasdance's outgoing artistic director Annie Greig tells Nina Levy about her 18 years at the helm of the company, what came before and what might come after.

A new Australian dance film, entitled Ador, will premiere at Melbourne’s Federation Square, Sunday 25 October at 12.30pm.

The OCT/NOV issue of Dance Australia is out, and is packed with fabulous articles!

Registrations are open for Indigenous choreographers to be part of Dana Waranara Convergence, from 8-10 December 2015 at the Judith Wright Centre for Contemporary Arts in Brisbane.

This year’s Melbourne Festival program, which runs from 8-25 October, includes five works from two companies and two artists.

If you’re in Adelaide this week, you can catch Australian Dance Theatre (ADT) performing FREE.

Amanda Jennings reports from the Genee 2015 finals, at Sadlers Wells Theatre, UK.

“Caught Yellow Handed” is a mixed bill by youth dance company Yellow Wheel featuring the works of nine young choreographers as well as the premiere of a new short work by artistic director Adam Wheeler.

There comes a time in every dancer's life when they stop dancing. It might be because they are retiring after a full and rewarding career. Or it might be forced on them mid-career before they wish because of injury or similar. What will you do?

Twenty-one Australians are in the midst of competing in the London Genee Awards. Amanda Jennings reports.

The Australian Dance Awards are an annual celebration and recognition of the many people who dedicate their lives to dance – not just on stage as performers, but also in the many ways behind the scenes that promote and further the artform.

Misty Copeland’s star continues to rise, reports Dance Australia’s New York correspondent Susan Reiter.

Queensland Ballet holds auditions annually for its company and training programs.