The evening was therefore a double celebration of collaboration and creativity – the philosophies underpinning the “Bespoke” program and, undoubtedly, also the creation of this remarkable centre for dance and the arts.

Some of the best-known pas de deux from the ballet repertoire were on this gala program, writes Geraldine Higginson.

Artistic Director Amy Hollingsworth cares deeply about the unique ephemeral connection between audience and dancers in live performance, writes Denise Richardson.

Guest artist Daniil Simkin's stunning technique was on thrilling display when he appeared in 'Harlequinade', as well as his neatness, perfect placement, and the apparent ease and lightness with which he launches himself into everything.

In its second year, the WA Ballet’s “STATE” is emerging as a celebration of bold neoclassical and contemporary choreography

Choreographer Lucas Jervies has created a new story which begins in a recognisably modern world, before taking a turn towards the fantastical, writes Geraldine Higginson.

This is sugary tale of thwarted love, writes Susan Bendall.

This program celebrates the Qld Ballet's breadth, depth and diversity, writes Denise Richardson.

This is a timeless work can only be described as a cultural touchstone, writes Taylor Venter.

SDC’s ab [intra] is a truly breathtaking work of art, and a must-see event for Australian audiences, writes Taylor Venter.

This collaboration offers a small but poignant comment on our shared humanity, writes Rhys Ryan.

It’s great to see Australia’s oldest continuous contemporary dance company confidently embarking on a new direction, writes Maggie Tonkin.

Saturated with colour and simmering with absurdity, ALICE (in wonderland) is an absolute highlight in West Australian Ballet’s repertoire, writes Isabelle Leclezio.

'Breathtaking to watch', writes Geraldine Higginson.

Three long-term projects came to fruition this autumn in Tasmania, writes Lesley Graham.

A glimpse into an artist’s mind is always a privilege, and "Genesis" is certainly an opportunity for this, writes Isabelle Leclezio.