Trained at: Amanda Bollinger Dance Academy (ABDA).
Presently: Junior Ballet de l’Opéra National de Paris
What is the main lesson you learnt?
At ABDA, Miss Amanda always said her job was to prepare us to move on to pre-professional schools, and her words have stayed with me: “When you go away, teachers won’t correct you in the same way or with the same attention to detail.” Now, as a professional dancer, I see just how true that is. In a pre-professional environment, teachers can’t correct every nuance. But Miss Amanda’s corrections are so embedded in me that I still hear her voice in my head during class. She gave me the tools to self-correct and understand movement on my own, which has been invaluable in my professional journey.
How has your understanding of dance as an art form evolved during your full-time studies?
My training at ABDA was pivotal. It taught me that dance is more than just executing steps—it’s about blending strength and flexibility with artistry. When I joined at 13, I had a lot of natural ability, but Miss Amanda showed me how to use my flexibility in a controlled way. I also learned that expression doesn’t come from extreme shapes or high extensions; it’s about the quality of port de bras and the intention in your face. Studying in the Vaganova style, Miss Amanda helped me understand how to use my head and upper body to bring artistry and feeling to my dancing.
What advice would you give to someone considering full-time studies at ABDA?
My biggest advice is to soak up everything Miss Amanda says—she knows how to get the best out of every dancer. If you work hard and stay dedicated, she will help you achieve your dreams. When I first joined, she asked me what my goal was. I said I wanted to join the Royal Ballet School and dance professionally, and with her guidance, my hard work, and a bit of luck, I was able to achieve that dream.
Follow:
Dancer Instagram: @jacksonsmithleishman
Studio Instagram: @amandabollinger.academy