'Different but equally brilliant.' Alana Kildea reviews the West Australian Ballet and Perth's Co3.

From its initial blistering explosion of light, sound and movement this bold, audacious work positively thrills, writes Denise Richardson.

Geraldine Higginson reviews Bangarra Dance Theatre's 'Spirit' and Jasmin Sheppard's 'The Complication of Lyrebirds'.

'Visually striking.' Geraldine Higginson reviews 'The Four Seasons and 'Explicit Contents'.

Three terrific performances, including 'a master work of the repertoire', made up the second half of the Festival, writes Maggie Tonkin.

"Consummate contemporary ballet." Susan Bendall reviews The Australian Ballet's 'Volt'.

Most of the works in year's Keir Choreographic Award final didn't win over Geraldine Higginson.

Geraldine Higginson found Victorian State Ballet's production of 'Beauty and the Beast' fresh and engaging.

A rich overview of the sheer variety of contemporary dance: Maggie Tonkin reviews three works from this year's Adelaide Festival.

Featuring a range of free performances, Supercell's 2020 program was characterised by diversity, says Denise Richardson.

Denise Richardson reviews the Brisbane premiere of this long-awaited ballet by Graeme Murphy.

Geraldine Higginson reviews the company's Sydney season.

Margaret Mercer enjoys two outstanding performances.

West Australian Ballet's 2020 'Ballet at the Quarry' program offers superb neoclassical dancing and choreography, says Margaret Mercer.

Lesley Graham reviews the dance at MONA FOMA.

In 2020 Sydney Festival offers a broad program, packed with a wide range of diverse productions, writes Geraldine Higginson.