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The Tait Memorial Trust announces the new Tait Bonynge Prize for Royal Ballet School graduates from Australia and New Zealand.
Queensland Ballet’s Bespoke returns with three world premieres that challenge how we see, hear and experience contemporary dance.
Julian Hobba has been named Executive Director of Adelaide Festival, bringing national experience and a deep local connection to the role.
Denise Richardson reviews Queensland Ballet’s ambitious triple bill, set against a backdrop of change and challenge for the company.
Nina Levy reviews STRUT Dance and PICA’s Restore, a double bill that spans fierce physicality and meditative stillness.
Nina Levy reviews Co3’s “GATHERING.1” — a high-energy 10th anniversary event where performance meets party.
After a 15-year hiatus, choreographer Lewis Major returns to the stage in Brazil, marking a powerful new chapter in his career.
Olivia Stewart chronicles the extraordinary career of Australian talent Sarah Bakker, from dazzling debuts on Broadway and the West End to her anticipated return home.
From ‘Maybe’ to centre stage, Beatrix Alder and Dakota Chanel, are embodying the hopeful heart of Annie in Sydney.
As AI reshapes the world of work, could dance be the last human stronghold? A bold, thought-provoking reflection on tech, art and our shared future.
Lucy Christodoulou offers candid advice for dancers navigating the challenging audition season.
Dancer & actor Josef Brown shares hard-won audition advice, offering unique insights from both sides of the table for Dance Australia readers. Learn how to nail your next audition.
