Time for a radical reimagining? Susan Bendall reviews The Australian Ballet's production of Peter Wright's 'Nutcracker;.

Lesley Graham reviews Tasdance's last show of the group of choreographers who have been nurtured by over the past two years.

First class dancing: Margaret Mercer reviews West Australian Ballet's 'Giselle'.

An uneven double bill: Maggie Tonkin reviews ADT's 'North/South'.

Be prepared to be delighted by The Australian Ballet’s premiere of Stanton Welch’s enchanting Sylvia, writes Susan Bendall.

'She hurtles like a bolt of lightning thrown by Zeus himself.' - Geraldine Higginson reviewing 'Natalia Osipova's Pure Dance'.

Queensland Ballet has set the bar high with its current production of Kenneth MacMillan's 'Romeo and Juliet', writes Denise Richardson.

A contemplative work rich in energy: Lesley Graham reviews 'Absence of Light' by MakeShift Dance Collective'.

Lesley Graham reviews the tenth Australian Youth Dance Festival.

Bravo to all! Denise Richardson reviews the Bolshoi's Brisbane season.

A top recommendation for this year's viewing: Susan Bendall reviews Les Ballets de Monte Carlo's 'Lac'.

Highly recommended: Geraldine Higginson reviews 'Bangarra: 30 years of sixty five thousand'.

Too much of a visual riot? Susan Bendall reviews The Australian Ballet's 'Alice's Adventures in Wonderland'.

'Deeply expressive of the human spirit.' - Denise Richardson reviews Queensland Ballet's 'The Masters Series'.

'Fifty taut, tense, tightly-packed minutes of dance' – Margaret Mercer reviews Co3 Australia's 'The Line'.

'Sparkling with energy' – Denise Richardson reviews Expressions Dance Company's production of Natalie Weir's 'The Dinner Party'.