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Recent comments by Timothée Chalamet about opera and ballet sparked debate across the arts. Dance leaders reflect on the endurance, relevance and shared humanity that continue to sustain these artforms. Read more
We all suffer setbacks – but you can choose what to make of them, writes Michelle Dursun.
Ever had to stumble over theatre patrons who refuse to stand to let you pass? Or sat next to someone who can't wait to check their mobile phone?
Should we have surveillance in the classroom? Michelle Dursun looks at the many ways teachers can ensure they create a safe environment for children.
So how can you put your best foot forwards in terms of presenting yourself as a person as well as a dancer?
What does dance training have in common with Rafael Nadal and Tiger Woods? Emma Sandall finds out.
Michelle Dursun weighs up the opportunities with the expense.
What is it like to be an examiner? Nina Levy finds out.
It’s common for first year full-time students to lose a grip on their nutritional intake. Nutritionist Fiona Sutherland provides some sensible advice.
Michelle Dursun weighs up the advantages and disadvantages of the Turn Board.
A record number of Australians competed in this year’s Youth America Grand Prix. Jane Danielle Venter was inspired by the whole experience.
A dancer has to learn almost everything if they want to get onto the music theatre stage, discovers Michelle Dursun.
Nutritionist Fiona Sutherland rather doubts it.
Two ex-ballerinas have started a dance school aimed entirely at adults, writes Michelle Dursun.
What do professional dancers choose for breakfast? Nutritionist Fiona Sutherland finds out.
Most dancers’s first experience at auditioning is for a full-time dance course. What should you expect? Nina Levy gets the lowdown.
How much can you touch while you teach? Karen van Ulzen investigates.