SDC’s ab [intra] is a truly breathtaking work of art, and a must-see event for Australian audiences, writes Taylor Venter.

This collaboration offers a small but poignant comment on our shared humanity, writes Rhys Ryan.

It’s great to see Australia’s oldest continuous contemporary dance company confidently embarking on a new direction, writes Maggie Tonkin.

Saturated with colour and simmering with absurdity, ALICE (in wonderland) is an absolute highlight in West Australian Ballet’s repertoire, writes Isabelle Leclezio.

'Breathtaking to watch', writes Geraldine Higginson.

Three long-term projects came to fruition this autumn in Tasmania, writes Lesley Graham.

A glimpse into an artist’s mind is always a privilege, and "Genesis" is certainly an opportunity for this, writes Isabelle Leclezio.

In these distressing times, we all need a dose of 'Manifesto’, writes Maggie Tonkin.

The past two years have served as creative fodder for this latest work, writes Rhys Ryan.

This is a stunning production, and an incredibly worthy, if overdue, opener to the 2022 Adelaide Festival, writes Maggie Tonkin.

This show highlights the future as having potential for both horror and humanity, writes Alana Kildea.

'The dancers rose magnificently to the occasion and delivered a performance of the highest quality, thoroughly earning the ecstatic cheers and bravos of the Covid-masked opening night audience," writes Margaret Mercer.

Rachel Ogle's latest production for the Perth Festival is moving and completely captivating, writes Alana Kildea.

This year’s Quarry season shows the flourishing choreographic confidence within the company, writes Isabelle Leclezio.

Denise Richardson reviews the Brisbane International Gala.

These works had apocalyptic themes but treated them in very different ways, writes Geraldine Higginson.