This performance is a triumph against many odds, writes Margaret Mercer.

This is Daniel Riley’s first full-length production as Artistic Director of the Australian Dance Theatre (ADT), which for the first time has an Aboriginal artistic director, writes Luke Forbes.

Two innovative productions reviewed by Lesley Graham.

Lesley Graham reviews 'Collision' by Tasdance and 'Heirloom' by MADE.

Despite its age, it is impossible not to relish the piece, writes Jonathan W Marshall.

Enjoy this photo gallery of the West Australian Ballet's premiere season of Goldberg Variations, choreographed by acclaimed choreographer Natalie Weir and set to the enduring masterpiece by Johann Sebastian Bach.

There is no doubt that we will never see another Cinderella like this one, writes Michelle Potter.

The evening was therefore a double celebration of collaboration and creativity – the philosophies underpinning the “Bespoke” program and, undoubtedly, also the creation of this remarkable centre for dance and the arts.

Some of the best-known pas de deux from the ballet repertoire were on this gala program, writes Geraldine Higginson.

Artistic Director Amy Hollingsworth cares deeply about the unique ephemeral connection between audience and dancers in live performance, writes Denise Richardson.

Guest artist Daniil Simkin's stunning technique was on thrilling display when he appeared in 'Harlequinade', as well as his neatness, perfect placement, and the apparent ease and lightness with which he launches himself into everything.

In its second year, the WA Ballet’s “STATE” is emerging as a celebration of bold neoclassical and contemporary choreography

Choreographer Lucas Jervies has created a new story which begins in a recognisably modern world, before taking a turn towards the fantastical, writes Geraldine Higginson.

This is sugary tale of thwarted love, writes Susan Bendall.

This program celebrates the Qld Ballet's breadth, depth and diversity, writes Denise Richardson.

This is a timeless work can only be described as a cultural touchstone, writes Taylor Venter.