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A sweeping score, strong central performances and a stage adaptation that leans into romance over realism shape Anastasia’s Sydney run, writes Heather Campbell. Read more
Lesley Graham reviews Tasdance's last show of the group of choreographers who have been nurtured by over the past two years.
First class dancing: Margaret Mercer reviews West Australian Ballet's 'Giselle'.
An uneven double bill: Maggie Tonkin reviews ADT's 'North/South'.
Be prepared to be delighted by The Australian Ballet’s premiere of Stanton Welch’s enchanting Sylvia, writes Susan Bendall.
'She hurtles like a bolt of lightning thrown by Zeus himself.' - Geraldine Higginson reviewing 'Natalia Osipova's Pure Dance'.
Queensland Ballet has set the bar high with its current production of Kenneth MacMillan's 'Romeo and Juliet', writes Denise Richardson.
A contemplative work rich in energy: Lesley Graham reviews 'Absence of Light' by MakeShift Dance Collective'.
Lesley Graham reviews the tenth Australian Youth Dance Festival.
Bravo to all! Denise Richardson reviews the Bolshoi's Brisbane season.
A top recommendation for this year's viewing: Susan Bendall reviews Les Ballets de Monte Carlo's 'Lac'.
Highly recommended: Geraldine Higginson reviews 'Bangarra: 30 years of sixty five thousand'.
Too much of a visual riot? Susan Bendall reviews The Australian Ballet's 'Alice's Adventures in Wonderland'.
'Deeply expressive of the human spirit.' - Denise Richardson reviews Queensland Ballet's 'The Masters Series'.
'Fifty taut, tense, tightly-packed minutes of dance' – Margaret Mercer reviews Co3 Australia's 'The Line'.
'Sparkling with energy' – Denise Richardson reviews Expressions Dance Company's production of Natalie Weir's 'The Dinner Party'.
'An artistic triumph' – Margaret Mercer reviews West Australian Ballet's production of Greg Horsman's 'La Bayadère'.