Fifty performers from six companies came together for Tasmania's 'Illuminations', writes Lesley Graham.

"Hearing that producers Lynch and Paterson had engaged independent artist Jayden Grogan to recreate 'The Creatures of Prometheus' naturally piqued my interest," writes Denise Richardson

Traditional, sophisticated and uncomplicated: Alana Kildea reviews this iconic ballet.

This made-for-digital premiere really gave the viewer a chance to see the dancers as individuals – up-close and in far more detail (depending on the size of your screen) than you would ever see them onstage.

Maggie Tonkin reviews the dance offerings at this year's festival.

The juxtaposition of the two pieces in this double bill is thought-provoking and creative, writes Alana Kildea.

It has been two Covid-interrupted years since Queensland Ballet (QB) last staged a season of the always keenly anticipated 'Bespoke', writes Denise Richardson.

The Australasian Dance Collective explores computer-generated random unpredictability in its latest work, writes Denise Richardson.

This work is vintage Stewart: inventive, brutal and unforgiving . . . writes Maggie Tonkin.

With only a few modern twists, this adaptation of Coppélia remains true to its traditional core, writes Alana Kildea.

This year’s Brisbane Festival is still a joyous affair – a beacon of hope in an otherwise glum artistic landscape, writes Denise Richardson.

This season of new works offers a glimpse into the beginnings of new works, writes Isabelle Leclezio.

Co-created by Alison Currie and Alisdair Macindoe, this is riveting dance-theatre, writes Maggie Tonkin.

'A triumph!" Maggie Tonkin reviews the Australian Ballet's 'Anna Karenina'.

The opening night of STATE was the beginning of a thrilling new era for West Australian Ballet, writes Isabelle Leclezio.

Geraldine Higginson reviews Bangarra's keenly anticipated new work.