The annual Ballet Teachers Workshop (BTW) has played an important part in the development of many a dancer.

This was the first time that what has historically been an annual event was able to be held in three years, and the demand for it is definitely still strong, as demonstrated by the record-breaking 226 entries this year, writes Geraldine Higginson.

Included in this year's program are two fascinating dance offerings: ; Dalisa Pigram's 'Gudirr Gudirr' and Sue Healeys 'The Long Walk'.

Look out for PART 2 of our panel video discussion on how to encourage more boys into dance, coming NEXT WEEK.

The Australian Ballet has announced its 2023 season: a line-up that revisits some landmark works from the company's 60 year history as well as introduces some brand new works.

In what promises to be a memorable production, the Adelaide Festival has announced that Christian Spuck’s "monumental" Messa da Requiem will be one of the star attractions in 2023.

The QB has announced that not only will it present MacMillan’s epic tragedy, Manon, in September, but that it has enticed one of the world's most sought after ballerinas to perform the leading role.

Daniel Riley, the new artistic director of Australian Dance Theatre, will take to the stage as a dancer in his first major creation for the company.

For the first time in three years, the Sydney Eisteddfod Ballet Scholarship Finals were back onstage at the Sydney Opera House!

With most international borders open at last, touring companies are once again on the move. One of those soon to visit Australia is the Royal Czech Ballet, w

Greg Horsman’s modern interpretation finally opened at the new Talbot Theatre on August 18. Created on the QB Pre-Professional Program dancers, it is a terrific vehicle for them to hone their dramatic skills.

Chunky Move and Restless Dance Theatre’s geometrical playground performance Rewards for the Tribe is heading for England, with a season at the Warwick Arts Centre, Coventry

The fourth Borovansky reunion was held in Sydney on August 9 at the Castlereagh Boutique Hotel in Sydney, hosted by Jan Melvin and Adrienne Orsay.

This showcase of choreography is all about experimentation and 'radical inclusivity', writes Leila Lois.

The late choreographer Douglas Wright was a uniquely gifted artist. He was not only a superb dancer and gifted choreographer - he also drew like Cocteau and wrote like an angel. Now one of his most glorious creations is being revived.

Dancehouse, Melbourne's home for independent dance artists, is soon to present its second season for the year, with an array of artists "exploring interior and exterior worlds and the forces that shape us within and without".