Is it more enjoyable to dance repertoire or new creations? Matthew Lawrence offers his perspective. Read more
Thousands of artists apply for grants every year. How do you make sure your application stands out?
Recent graduate Taree Sansbury shares her experiences and advice about choosing a full-time course.
How do you define a musical dancer? Karen van Ulzen asked Nicolette Fraillon, chief conductor for the Australian Ballet.
We all suffer setbacks – but you can choose what to make of them, writes Michelle Dursun.
Singapore Dance Theatre's Jessica Garside tells Nina Levy about the highs and lows of looking for work outside Australia.
What age should you leave school and begin full-time dance? Emma Sandall asks Lisa Pavane, director of the Australian Ballet School.
What should I expect from an audition class? Nina Levy investigates.
These clever teachers have met the challenges of teaching ballet in the bush, writes Michelle Dursun.
Hilary Kaplan, RAD examiner and co-principal/co-director of Alegria Dance Studios shares her tips for perfecting your pirouette.
"Be a verb, not a noun." Nina Levy discovers the latest research on how to perform perfect pirouettes.
Sally Clark finds out why the massive growth of the cruise industry is a win for dancers.
Like dance, professional level circus training is multi-faceted, involving both technical and artistic skill development, writes Allison K Williams.